Creating Community: Part 3 – Hard Conversations in an Online Classroom – ‘Heart of Darkness’

Judith_McDaniel2_80By Judith McDaniel with Tim Fraser-Bumatay, Daniel Herrera, and Ryan Kelly1

Thinking about Heart of Darkness

The questions we were left with at the end of the Othello discussion included one that came up again later in the course. I asked, how do we know what we do not know — or how do we know we have a cultural bias/perspective in order to shed it? We usually don’t, except for our relationship to others and their perspectives — when we can say, Oh, right, I missed that. And I rarely hear students say, Oh, sorry, I was thinking like a white person or thinking like a patriarch. So we need to know the context in order to think intelligently about our own constructed world-views, don’t we?

Herrera Kelly Bumatay McDaniel

Daniel Herrera, Ryan Kelly, Tim Fraser-Bumatay, and Judith McDaniel.

Along with the Conrad story, we were reading an article by a professor who advocated banning it as a racist text. Ryan found this account amusing. “While he cites the fact that Heart of Darkness is racist and offensive and because of that he no longer sees the value in teaching it, what resonates from this piece is actually his point that proves the opposite. He describes how marked up his book is and explains how each time he read the novel as a student he found new things to underline. The time, the place, the teacher, and the lens changed, and as each did he was able to look at the novel in a new way and gain a different piece of valuable insight into it’s meaning….”

“For me,” Ryan continued, “this is the true test of a novel’s worth. The reason we reread things in the first place is because we always notice more the second time around. Once we generally understand the plot of a story we can focus on other elements and find deeper meaning, and Heart of Darkness seems to be one of those stories where those deeper meanings are fluid and can change with the times. While it may be true that Conrad was a racist, I don’t think that’s enough to invalidate this text.”  Continue reading

Creating Community: Part 2 – Hard Conversations in an Online Classroom – ‘Othello’

Judith_McDaniel2_80By Judith McDaniel with Tim Fraser-Bumatay, Daniel Herrera, and Ryan Kelly1

The four of us are all teachers in face-to-face classrooms, and we have all needed to have difficult conversations about race with our students in those classes. Some teachers would maintain that it is “better” to have these conversations in person in order to monitor how the students are doing and ease them over the rough spots.

All of us have also been part of an online classroom in which we needed to have those conversations about race and ethnicity as we discussed Shakespeare’s Othello and Conrad’s Heart of Darkness. Is one format — online or in-person — better than the other? While our response won’t be definitive, we can say that our online discussion did succeed in creating an “immediate and vital community of learning” as we insisted in Part 1 of this series. And for each of us, the learning in this class carried over to the face-to-face classes we teach.

Herrera Kelly Bumatay McDaniel

Daniel Herrera, Ryan Kelly, Tim Fraser-Bumatay, and Judith McDaniel.

Thinking about Othello

In addition to reading Shakespeare’s play, I assigned several critical articles that discussed race in the play. Kim Hall’s “Beauty and the Beast of Whiteness” and James Aubrey’s “Race and the Spectacle of the Monstrous in ‘Othello’” seemed to be the most provocative.

The issue of beauty, virtue, and monstrosity

The discussion prompt for the question about Othello asked whether Hall’s portrait of “beauty and the beast of whiteness” gave the reader a path into considering Othello as an Elizabethan might have seen him. Tim’s immediate response was “[Yes,] an in-depth look at style would tread upon the contextual setting of the play’s conception, for if one were to question why Shakespeare chooses words such as ‘beast,’ ‘horse,’ and ‘ram’ to describe Othello, it would inevitably lead to 17th century cultural opinions of Africans.”

Alongside that view of course is the parallel portrait of Othello as the most noble and honorable man in the Duke’s court. When Shakespeare introduces the “Moor” himself, he presents “an intriguing character who breaks from the stigma; he is calm, courteous, and even noble.”  Continue reading

Latinos in Science and Technology (LISTA)

VicSutton80By Vic Sutton

Among the organizations working to ensure better access for minority students to science, technology and math studies across the United States is the association Latinos in Science and Technology (LISTA).

LISTA’s latest initiative was a day-long meeting, an “Emerging Tech Leadership Summit,” held in North Bergen, New Jersey, on 22 July. It brought together Latinos and Latinas engaged in technology and business leaders from around the New York tri-state area and their associates.

Click image to enlarge.

Click image to enlarge.

Professor Jorge Schement, from New Jersey-based Rutgers University, set the scene.

He pointed out that the U.S. population is diversifying rapidly. Of the Latinos in the country, 66% have their origins in Mexico.  Continue reading